Review by Will Heyward
Gerald Murnane's A Million Windows is organized into a series of fragments, many of which describe an image or a succession of connected images. Interspersed with these images are discussions of different aspects of the craft of writing fiction, with the narrator complaining about how a particular book that he once admired has come to disappoint him. These images, memories, and discussions never progress, at least not in the way a story does; instead they intersect obliquely, carrying traces and hints of desire, longing, regret, apprehension, and misunderstanding whose painfulness or meaning is not always immediately clear . . .