A feature by Jesse Ruddock
Abdellah Taïa’s novels are impatient for justice in the streets and homes of Morocco and beyond. Taïa is an iconic gay-rights activist in the Arab world, as well as in France, the country to which he fled for his life in his youth....
A feature by Jesse Ruddock
Avishai Cohen has been working since he was ten, when his job was to stand on a soap box and play trumpet for a big band. Raised in Tel-Aviv, the youngest of three jazz prodigies in one house, his music is persistently lyrical, often sublime, and intensely playful. Cohen stands out on stage in a way that’s athletic: his lead’s to follow. What the body has to do with the soul can be heard in the tone of his trumpet, that strange precise math of breath and spirit. On Dark Nights, the third and latest album from his trio Triveni—with Omer Avital on bass and drums by Nasheet Waits—Cohen’s tone is clearer than any voice. The songs all go slow but never keep you waiting to find out what they’re trying to mean. This interview took place high above Broadway Avenue in Manhattan, one afternoon before Cohen played three sets through midnight with the Mark Turner Quartet . . .